These complications are why it’s so hard to build a filter that makes a photo look exactly like a good illustration by a human. Just remember that a human illustrator makes a lot of selective decisions about what to include and exclude and what to emphasize in a scene, and these are things a camera never does. Since I am working rough I am also working out what the back wing is doing, and how the movement of the back wing matches the position of the wing closest to us. If you want the result to have the same empty background as the drawing, you will probably need to mask off the subject from the background first (using Select Subject, Select and Mask, etc.), and you will probably want to pre-process the example drawing to remove anything you don’t want considered as source content. My first extreme is of the bird with his wings in the up position. If the drawing has plants and an empty background, but the photo has a different background with no plants, the Neural Filters will try to transfer attributes that may not work well in the photo. And it will require even more manual intervention if the lighting of the original photo is different than the artistic lighting of the drawing.Īnother thing that will require manual intervention is that you probably want some, but not all, of the aspects of the sample drawing. What is shown is not perfect or finished but only a starting point to get exactly what you want is going to require a fair amount of filter tweaking and additional manual retouching and compositing. Style Transfer lets you load an image to use as a style example to apply to the image, and Color Transfer is similar but concentrates on the colors. Have you looked into the Neural Filters? Below is an quick example of combining the Style Transfer and Color Transfer filters.
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